Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Thursday, January 3, 2013

Introducing the Action Cats!

So this one time I co-wrote a comic book script, and my co-author Adam P. Knave enlisted artist Eamon Dougherty to illustrate it, and Monkeybrain Comics decided that they wanted to publish it, and so this is a thing that exists:


That's a relatively short sentence, and it's a relatively short comic, but the creative process was enormously long. I wrote a bit about it, in a convoluted way, back in my February 2010 post "the writing process as it relates to interdimensional kittens and moneyhats".

I love this book, and I'm so pleased (and a little bemused) that it's a real digital thing now. It's about a team of cats (yep, just regular ol' cats) who sometimes save the world.

I'm pretty sure Adam & I came up with the idea while discussing this Consumerism Wow post on the phone. (tl;dr shortcut: Scroll to Thingy #9.) (Also, hey look, I accidentally predicted nyancat in that post. Huh.)

Action Cats is an all-ages appropriate, 23-page one-shot.* If you'd like to read it, it's just $0.99 on ComiXology. Who kindly invited us to be on the ComiXologist podcast the week that the book premiered.

We've gotten lovely reviews from Tatiana Christian at Comics Crux and Brad Pike at Thought Catalog (who forgot I exist but wrote such nice things that I like him anyway), plus, as of today, 45 excellent humans on ComiXology. Note to all y'all: Thanks so much to every single one of you for reading -- and especially for enjoying!

If you're not among them but you enjoy comics (or cats, or jetpack shenanigans), give it a chance?


*FOR NOW.

Tuesday, April 20, 2010

alas, poor Burrito

Many of you who read Burrito Blade, the webcomic drawn by Renato Pastor that I've been editing for and sometimes co-writing with Adam P. Knave for the past year or so, have probably already heard the news: we're not going to be able to continue doing the comic anymore. It feels sad and strange for us to cut our readers off in the middle of a storyline, so we're working on getting the rest of the story out of Adam's head and onto a computer, and we should start posting those abridged storybits at BurritoBlade.com next week.

Working on BB has been an adventure for all of us -- it was the first epic, episodic, ongoing project that any of us had taken part in. I browse through the archives and can see all three of us growing, stretching, and growing again in loops of ever-increasing awesomancy. The story morphed along with us, and our own characters surprised us. I think that in some ways, Burrito Blade outgrew us. I wish I could hit the reset button and start the whole project over again with the experience and confidence that I've gained from working on it -- I feel like I could do it such better justice now.

There'll be new rad projects to bend those skills to, but I'll miss Burrito Blade. Here's sending all the soft tortilla-wrapped thanks in the world to Adam and Renato for having me on the project, with a spicy side of gratitude to Maria and D. J. for having our backs.

And hey, thank you, reader, for making room for our story in your life. I hope we'll be able to give you a new one to fill the gap we're leaving, and soon.

Wednesday, February 10, 2010

the writing process as it relates to interdimensional kittens and moneyhats

One terrific thing about knowing Adam P. Knave is that sometimes, during the course of normal conversation, perhaps after discussing ReBoot but before anyone brings up the business you're actually supposed to be talking about, some word or phrase will Happen. And it'll Happen in the way that it expands with incredible speed and mass, Universe-style, until it's a whole idea. And you'll bat this huge idea-thing back and forth with Adam like the interdimensional kittens that both of you are, and then drop it suddenly and pervasively and get down to the business at hand.

But that idea-thing will still be floating around out there, and Adam's way of reminding you of its continued existence involves contacting people who can draw, asking them if they'd like to work on a new comic book involving the idea-thing, and getting those people to say "yes". So, though a bit mystified about what's happening to your life, you'll find yourself writing and editing bits of comic book script in your spare time, and then using those bits along with Adam's to form a complete script, and then emailing the script to whatever agreeable drawing person he's found. And then, following the artist's recovery from rickets as appropriate, you'll receive mere sketches -- simple layouts -- from that artist, based on the script that you and Adam wrote, that will make you all at once (A) unspeakably excited about this project-thing, as you began to think of it while you were writing the script, and (B) unalterably certain that you're unable to say anything about to anyone yet because, really, it's still just an idea-thing, even if it has the mass and size and brain it needs to convince you it's a project-thing.

So all you can do is write obtuse and roundabout things regarding the creative process on your blog, and hope that soon, sooner than soon, the wonderful drawing person will send you & Adam whole complete pages that you'll be able to submit to a publisher who will say, "How terrific! I was just hoping that I would receive a comic book just like this! Fred, wasn't I just hoping that? Oh, don’t mind Fred, his iguana ate his neighbor's cat this morning and he's very distraught, even though the cat was a mean-spirited creature and absolutely deserved what it got, and Fred's neighbor has gone on record with the Times saying that she was going to have the cat put down tomorrow for biting her so repeatedly. Fred's just sensitive. But yes! Your comic book! Thank you for submitting it. I'm going to publish it and we shall make such fabulous amounts of money that we shall all pay off our debts and have enough cash left over to fold up and wear as hats! And so we will be loved and celebrated for not only our artistic endeavors, but also for our extremely sharp and modern moneyhats."

I'll tell you when I get that call.

While you're waiting, breath held or otherwise, you should maybe go read some comics and things by Gabe and Tycho of Penny Arcade, without whom I might not have thought to write about moneyhats.

Tuesday, January 26, 2010

adventures while not moving

I was in a bad mood last week so I reread Ellen Kushner's The Privilege of the Sword, which is double chocolate chip cookies in book form if you like 18th century social commentary, pretty dresses, awkward teenagers bein' awkward, swordplay, and characters who aren't straight. It's self-indulgent, but delicious things often are. (It's a sequel of sorts to Swordspoint, which is also delicious and recommended for people who like politics, swordplay, and gay dudes. And that's only a double entendre when Kushner wants it to be.) My only criticism of it is that, in jumping between first- and third-person narration, it occasionally stumbles. But I mean, like, twice. So that's okay. If you think you'd enjoy a period story about a practical teenage girl who both learns to fight and loves romance novels, you should mosey over to Small Beer Press and get yourself a copy. (And maybe buy some of their other books because they're running a remainder sale for a good cause, and read them, and tell me what you think. I've got Generation Loss and Meet Me in the Moon Room on my reading list, so I'll return the favor soonish.)

Now I'm going through Neil Gaiman's collection of shorts and poetry, Fragile Things. Except I'm skipping the poetry. (I expect this indicates that I'm a horrific sociopath of a poet, and/or that I made a good choice when I didn't try to apply for any MFA poetry programs. I am comfortable with both of these.) So far I think I enjoy Gaiman more when he's writing novels or graphic novels (or blogposts), but his turns of phrase and pieces of atmosphere are nonetheless delightful. And/or creepy. And/or delightfully creepy.

Ubi es Caelum has a new blogthing where she's writing very openly about herself and her life and her brain. This is something that I do not have the guts to do, in a metaphorically literal sort of way. I do not have the kind of guts that would stand up to public self-evisceration and display, the skin pinned back, however prettily, like an anatomist's cadaver. But it's wonderful when a really good writer does, so I encourage you to go read her stuff.

Wednesday, November 4, 2009

[pink ribbon goes here]

I try to walk a tightrope of a line when I'm writing this blog -- I talk about things and people that are quite dear to me, but for the most part, I don't like writing about my own life here. I've got Twitter, Facebook, and other personal outlets for that. So I'm not going to (re)post the bit I wrote about my mother's breast cancer here. If you'd like to read it, it's over at A Southern Fairytale, where the wonderful Rachel hosted a whole month's worth of guest bloggers for Breast Cancer Awareness Month. Many thanks to her for providing a space for so many stories and so much empathy.

And, folks: Do a breast exam on yourself, or on boobs that you love, once a month. Every month. Constant vigilance applies to more than just watching out for Voldemort & poisoned pumpkin juice.

Friday, August 7, 2009

fiction: machine of death

I believe I've mentioned that Ryan North does things that are intellectually and shirtily pleasing. One such thing that's in the works is the Machine of Death anthology -- for which you can find a convenient and brief history here, but in summary for lazy bastards:

The Internet at large was asked to write short stories based on this concept: What If a machine was invented that could tell you, through a simple blood test, how you were going to die? And the Internet responded! And, recently, a whole lot of faboo illustrators jumped on the project like long-haired cats on clean laundry.

Like besugared children on a trampoline? Like. Uh. An unwary Spartan on a shiny blue plasma grenade? Like an Internets on a short-lived catchphrase?

With astounding powers of words like this, perhaps you can see why my Machine submission was politely declined for publication. Perhaps they simply received a large influx of very high-quality work. Perhaps we shall stick with this theory.

There's no pub date set, but I'll let y'all know when they announce it... I'm excited to see what all everybody came up with. In the meanwhile, you can read my submission! Just think, the stories in the anthology will be better than this!

[p.s. -- Many thanks to BlogBulk for teaching me how to make this jump cut happen. Mwah!]


BRIAN
A Machine of Death story, ~1300 words


Any other greeting cards that were this particular shade of pastel blue and embossed with ducks would've read, “It's a Boy!” The Croftworth's, inevitably, read, “It's a Brian!” It was a family name three generations running, and another three back before the first and foolhardy Brain Croftworth III named his only son Jonathan. On the day that the cards arrived, all 80 of them fresh from the printer, shrink-wrapped neatly in stacks of 16 along with matching duck-embossed envelopes, it took Mrs. Cynthia Wellers-Croftworth every ounce of what willpower she possessed to resist her urge to burn them.

She'd had enough of the name “Brian” already for one day - for one lifetime, probably - without the additional 80 instances. Her husband, Brian the third, was sitting opposite her on their tan leather couch, his expression tight and worried. Her father-in-law, Brian the second, was in her kitchen along with her mother-in-law, giving the younger generation enough privacy to talk without actually impeding eavesdropping. And the little printout slip that she'd received from a Machine in her ObGyn's office that morning, now sitting on the coffee table between her and her husband, read, in neat block letters, “BRIAN”.

“It must be a mistake,” Brian said for the fifth time that day.

“The Machine doesn't make mistakes,” Cynthia replied for the fifth time, wearily.

“Okay, but does it ever make typos? Maybe it meant that you'll be killed by BRAIN. Or,” he floundered, “y'know, BRAN.”

“I bet lots of people are killed by bran.”

He stood up to pace again, arms crossed. “Yeah, that attitude's going to help.”

“Fine, I bet it did mean BRAN. What do we really know about bran, anyway? It could very well be the evil what lurks in the hearts of our colons.”

“Would you please be serious about this?” said Brian loudly.

“I am serious about this,” Cynthia said, even more loudly. “I'm the one who's going to be killed by you, or our baby, or your father, or your granddad come back as a zombie, or one of the other million Brians out there. Unless, of course, the Machine was picking up the baby's reading, though him being murdered by one of you isn't my idea of a lark either.”

Brian sat down again, staring at Cynthia's belly, which Cynthia was holding protectively with the hand that wasn't pressed to her temple as if something in her skull were trying to break out.

“You didn't tell me it might be the baby's reading,” he said.

“Dr. Naylor said that happens sometimes.”

What Dr. Naylor had actually said was that fetal blood cells are often found in maternal circulation during pregnancy -- and for years afterward, in fact -- thereby engendering some doubt in the gynecologic community about whether a woman who'd never had a Machine reading before pregnancy could ever receive an accurate reading, but Cynthia, at that stage in the appointment, had been finding it difficult to pay attention to details.

Just thinking about the conversation made Cynthia's headache worse. “God, I wish I'd never had it done,” she said.

“How can you say that? Our--our baby could be in danger. You could be in danger! At least now we know.”

“A fat lot of good knowing has done! Panicked the whole family, my mother's probably having hysterics on her cruise ship--”

“Knowing has to be better. At least we can prepare.”

“Prepare?! We--” Cynthia stopped suddenly. “Brian, we could change his name.”

“Change his—oh, no we couldn't. His name is Brian.”

“He's not born yet! He's the size of a sweet potato, why couldn't we change his name?”

“Don't you mean, the size of a ‘jumbo prawn’?”

“That was weeks ago, and don't make fun of Dr. Naylor's fetus size comparisons, they're very practical. And don't sidetrack! We can still change his name.”

“No, we can't. He's a Croftworth, his name was Brian before he was conceived.”

“That's ridiculous!”

“Why do you think we got announcement cards so early? My mother was having it embossed on things while we were on our honeymoon!”

A cough that managed to sound both indignant and a little self-righteous came from just beyond the kitchen door.

Cynthia ignored it. “What if he'd been a girl?” she demanded.

“She would've gotten hell in school.”

Cynthia didn't smile.

“Look,” Brian sighed, “even if we change his name, nothing's saying it'd change your fate. Or his fate, whichever it is. We could decide to call him – I don’t know, Crustacean, and your next reading might say that instead.”

“At least that'd narrow it down… and introduce the possibility of my being offed by a lobster. God, never mind, I don't even want even want to know. I want to forget that I ever even saw this prediction.”

Brain leaned back on the couch, his arms crossed again. “It's still better to know.”

“Oh, easy for you to say, yours is straightforward!”

Brian had gone and gotten his reading done at their pharmacy as soon as it had received a Machine. His slip read “HEART ATTACK,” which had earned him a clap on the back from his father (“That's my boy! Likes a good steak and something hot and rich for dessert, eh? Always knew you'd go out with a bang!”), an admonition from his mother to drink more red wine and eat more salad (and she’d made a point since then of always having a big bowl of Caesar on the table when Brian and Cynthia came for dinner), and a birthday treadmill from Cynthia (who’d informed him that a heart attack was just fine - in another 70 years).

“Well, at least it won't be a surprise, will it?”

“Yes,” said Cynthia, “knowing about it is going to let me be positively serene while I'm--while I'm dying in childbirth, or when you go all Jack Nicholson on us, or when the copy boy at my office finally loses it and staples me to death, or when your father finishes going senile and mistakes me for a stag.”

A distinct “Well, really!” came from the kitchen, and Mrs. Croftworth chose that moment to come bustling into the sitting room with a heavily-laden tea tray. She deftly swept both announcements and Machine slip to the far end of the coffee table, set the tray down, and poured steaming water out over the contents of a cup.

“Here you go, dear, with lemon,” she said, handing the cup to Cynthia. “Decaffeinated, of course. And you still take sugar, don't you, Brian?”

Brian nodded, and received his own cup a moment later. “Thanks, Mum,” he muttered.

Cynthia glared at the carpet and didn't say anything, but she did take a sip.

Mrs. Croftworth stood looking at them for a moment that dragged itself out into a minute. “Have some sandwiches, dear, you'll feel better,” she said finally, and with as much sympathy as the human voice can inject into a statement about sandwiches. She bustled back to the kitchen, leaving her son and daughter-in-law to their tea.

“Do you think at least she'll leave off inviting me to special Machine-themed scrapbooking classes?” Cynthia said, almost managing a smile.

“Finally, something to look forward to,” said Brian. “Look, I'm sorry if I was short--”

“No, I'm sorry, I'm just--” she stared into her tea. “It's stressful enough, you know?”

And, as anyone might, regardless of whether they'd received a potentially dismal prediction about their death mere hours before, Cynthia took a sandwich.